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BEDNYI,
Demyan. Starye kukly (Old Dolls). Moscow: Oriz1931. Color lithographs
by "Kukryniksy" (Mikhail Vassilevich Kureyanov, Porfiri Nikititch
Krlov, and Nikolai Aleksandrovich Sokolov). (12) pp. Color lithographed
self-wrappers designed by the "Kukryniksy" Dictionnaire des
Illustrateurs de Livres D'Enfants Russep. 120 |
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BENOIS, Alexander.
Postcards. Set of 4 Postcards. Four color lithographed postcards depicting
children, toys and fanciful scenery, 1904. Related in style and feeling
to Benois’ ABC book, Alphabet in Pictures, 1904. Fine copy. |
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BURLIUK, David and
Nikoli Davidovich. [Service Book of the Three], poems by D. and
N. Burliuk, Vladimir KHLEBNIKOV, and Vladimir MAYAKOVSKY. Mosco: G.L. Kuzmin
and C.D. Dolinsky, 1913. With 13 lithographs after the Burliuks, V. Mayakovsky,
and Vladimir TATLIN. Square 8vo, 86 pp + [2] adverts; wrapers with lettered
paste-down label, few pencil notes. A nice copy. Markov pp.57-60; Compton
51; Barron/Tuchman 17 [Missal of the Three]. |
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GONCHAROVA, KUL'BIN,
MALEVICH & ROZANOVA. Kruchenykh, A. Vzorval (Explodity).
St. Petersburg, EUY: 1913. 2nd Revised Edition. In 8vo. 58 pp. Original
lithographic wrappers. Lithographed throughout with the exception of some
of Kruchenykh’s poetry printed with a rubber stamp. Only one of
450 copies. Original lithographs by Kulbin, Rozanova, Malevich and Goncharova.
The second edition incorporates new material by Olga Rozanova. A superb
copy of a fundamental Russian Futurist Book. Ex-libris 6 PL 129; Compton
p. 39 PL 26, p.125; The Russian Avant-Garde Book 1910-1934, Museum of
Modern Art p.72. |
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GORLOV, N. Futuriszm
i Revoliutsiya [Futurism and Revolution]. Moscow, 1924. Small
8vo, 85 pp; two-color decorated wrappers unsigned but in the manner of Gustav
Klutsis (some wear, small right hand corner missing. A book of essays discussing
Mayakovsky, Esenin, Pasterak, and others, with special emphasis on Marinetti's
influence on the Russian poets. Markov p 383; Leclanche-Boule156. |
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KULAGINA KLUTSIS, Valentina.
Zaumyi Yasyk [Transrational Language in Seifullinia vs. Ivanov,
Leonov, Babel, I. Selvinski, A.Veselyi, and others] by Alexei E. Kruchenykh.
Moscow: 1925, 8vo, pp; two-color wrappers designed by V. Kulagina-Klutsis.
Includes bibliography of A.E. Kruchenykh. Kulagina, the talented wife of
Gustav Klutsis, was a well-known poster artist in her own right; she flourished
as a designer until 1938 until her husband was arrested and sent to prison.
Leclanche-Boule 169. The Russian Avant Garde Book 1910-34, Museum of
Modern Art p.205 |
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LARIONOV, Mikhail Fedorovich.
Poluzhiboi [Half Alive], by Alexi E. Kruchenykh. Moscow:
G.L. Kuzmin and C.D. Dolinskii, [1913]. Lithographs by M.F. Larionov.16vo
[16] ff; decorated self-wrappers designed by the artist [some soiling],
slightly split].One of no more than 400 copies. An exceptional copy of a
most fragile Cubo-Futurist . While done during the height of the artist's
Rayonist period, these illustrations for another of Kruchenyh's hand-lettered
books, are surprisingly dependent upon more solid forms and outlines such
as recognizable nudes. The World Backwards/Russian Futurist Books 1912-16,
Compton p. 26 pl 13-16-32, p.94, p 125. The Russian Avant Garde Book 1910-34,
Museum of Modern Art p.83 |
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LARIONOV, Mikhail Fedorovich.
Solntse [The Sun], by Vladimir Mayakovsky. Moscow and
Petersburg: Krug," 1923. With illustrations by M.F. Larionov. Small
8vo, [28] pp + [2] adverts; two-color decorated self wrappers designed by
the artist (minor wear). A lovely copy. Paris Moscou p 447 |
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LEBEDEV, Vladimir,
Vasel’evich and MARSHAK, Samuel.
Doska Sorevnovanie. Moscow 1931. Illustrated by Lebedev, Vladimir,
Vasel’evich. 20 pages, lithographs. Ref: Musee Imaginaire 1 1920-1930,
James Fraser and Tayo Shima 1991 p.140, 3, Dictionnaire Des Illustrateurs
de livres d’enfants russes 1917-1945 p.164-165. |
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LISSITZKY, El. Solntse
na izlete [The Spent Sun]; Second Book of poems] 1913-16 by
Konstantin Bolskakov. Moscow, 1916. 8vo, 63 oo + [1] advert; two-color lithographed
self-wrappers designed by Lissitsky (minor soiling) One of 480 copies. A
lovely copy with early Cubo-Futurist covers; soon the artist devoted his
full energy to Constructivist principles. Markov pp. 266, 286; Compton
pl 18; Leclanche-Boule 192; Nobis 9. The Russian Avant Garde Book 1910-34,
Museum of Modern Art p. 91. |
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LISSITZKY, El. Wendingen,
editied by Hendricus Th. WIJDEVELD. Vol. 4, No. 11. Amsterdam: "De
oog Brug," [1921-1922]. Designed by H. Th. Wijdeveld. Large square
4to, 38 pp; color lithographed wrappers designed by El Lissitzky, Special
number of this influential art journal devoted to the work of Frank Lloyd
WRIGHT. Letterpress and Lithograph. Lissitzky-Kuppers 70;The Avant-Garde
in Print/ Lissitzky 5; Harvard 1922/15; The Russian Avant Garde Book 1910-34,
Museum of Modern Art p.186 |
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LUNACHARSKY, A.V. Rzhanov
Slovo [Rye Word]. selected by A.V. Lunacharsky. Preface by
Redaktsionnaya Kollenga. Petrograd, 1918. An anothology of Futurist poetry,
including work by Nikolai Asseev, David Burliuk, Vasilii Kamenskii, Vladimir
Mayakovsky, and Viktor Khlebnikov. 8vo, 58 pp; letterpress and painted wrappers,
the back cover being wallpaper. Edition 5,000.The Russian Avant Garde
Book 1910-34, Museum of Modern Art p. 165 |
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MARSHAK, Samuil. Tyrsa,
N. Otryad, [The Troop]. Moscow and Leningrad, 1930, 2nd
edition. Illustrated by N. Tyrsa. 6vo, [12] pp; decorated color lithographed
wrapers designed by the artist. Charming verses on the summer camp activities
of troop of Young Pioneers, the Soviet equivalent of the Boys Scouts. |
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MASIUTIN, Vasilii.
Pyesn Torjestvuyuschjay Lyubvi, Moscow: Helikon, 1922. Small 4
to, 78 pp. + (6) pp., including 15 full page lithographs initialled in the
plate, vignettes and decorated initials. Original decorated boards illustrated
by the artist. One of 100 numbered copies of Turgenev's 1881 tale, The Song
of Triumphant Love. Masiutin's striking drawings reflect Symbolist influences
in their Egyptian frieze-like compositions. Russian Construcitivist motifs
are sometimes apparent within this context, however, infusing the images
with a modern feeling. |
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RODCHENKO, Alexandr.
L' Art Decoratif URSS Moscou-Paris 1925. Viktor Nikolskii and
Iakov Tugendkhol'd, eds. 1925. Ed: 3000. Color Lithograph, 10 9/16 x 7
3/4". In Fine condition.
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RODCHENKO, Alexandr.
No.C (Novye Stikhi) [New Poems], by Vladimir
Mayakovsky. Moscow, "Federatsiya, [1928]; Letterpress.With a photogravure
portrait frontspiece of the poet. Square 8vo, [108] pp; two-color decorated
wrappers designed by Rodchenko (worn with some soiling). A nice copy. Not
in Khan-Magomedov. The Russian Avant Garde Book 1910-34, Museum of Modern
p. 192 |
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RODCHCHENKO, Alexandr.
Izbran. [Selected Verse] 1912-22 by Nikolai Aseev.
Moscow: Small 8vo, [130] pp [2] adverts; two-color decorated self-wrappers
designed by A. Rodchenko (some wear). Barron/Tuckman 306; Leclanche-Boule
132 Khan-Magomdov p 130. The Russian Avant Garde Book 1910-34, Museum of
Modern Art p.189. |
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ROZONOVA, Olga. Utinoe
Gnnedyshko....Dyrnykh Slov [Duck's Nest...of Bad Words], poem
by Alexei Kruchenykh. St. Petersburg: "EUY", 1913. With 14 lithographs
(including 2 adverts) by O. Rozanova, hand-lettered by A. Kruchenykh. 8vo,
24] ff; paper wrappers. One of 500 copies. A fine copy. Rozanova was one
of the crucial figures in the early Russian Avant-garde. She was associated
with the Realists, the Cubists, the Cubo-Futurists and the Suprematists.
Her death in1918, at age 32 ended a most promising career. Markov pp
204-205; Compton p 126; Barron/Tuchman 329; Kunstlerinnen der Russishen
Avant-garde 95 (hand colored copy); Andel 60; The Russian Avant Garde Book
1910-34, Museum of Modern Art (handcolored copy) p. 76 |
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ROZANOVA, Olga and
Iosif Solomonovich SHKOLNIK. "soiuz Molodezhi" [Union
of Youth] Pri Uchastii Poetov "Gileia." No. 3 St. Petersburg,
March 1913. With 11 lithographs, 6 by O. Rozanova and 5 by I.S. Shkolnik.
Oblong 8vo, 82 pp + [2] adverts; decorated pale purple wrappers designed
by I.s. Shkolnik, some wear as usual. One of 1000 copies. The last and most
important issue of this Cubo-Futurist journal. It contains contributions
by the Burliuk Brothers, Mikhail V. Matiushin, Viktor Khlebnikov, Benedikt
K. Livshits and Elena Guro. Markov pp 55-57; Compton 64l Barron/Tuchman
324; Kunstlerinnen der Russischen Avantgarde 74-75; Zhadova p 17; Art et
poesie russes pp 66-70. |
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SAMOKHAVALOV, A.
Svet bez Ognya [Light Without Fire]. Illustrated by A. Samokhvalov. Moscow
and Leningrad, 1927. Square 8vo, [32] pp; decorated lithographed wrappers
designed by the artist. A fine copy. The wonders of electricity in simple
terms for young children. |
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SVINENKA, N. Octyabr
[October]. Moscow and Leningrad, 1930. With lithographs after N.
Svinenka. 16vo, [16] pp; decorated color lithographed wrappers after the
artist (reattached).The October Revoution recounted in simple verse for
boys and girls. |
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TELINGATOR, Salomon.
1914-i, by Illya Feinberg. Moscow, 1934. Designed by S. Telingator.
8vo, 92 pp; silver stamped black coth, fold-outs split but intact. A satirical
history of World War I as Stalinist progaganda, illustrated with caustic
photomotages. |
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USSR en Construction.
[1931-1941] 1935. Issue no. 12. A lavishly illustrated magazine in the format
of photomontage engaged the talents of Avant-garde artists such as Rodchenko,
Stepanova and El Lissitzky to glorify communism and its leaders. [Some wear
to the cover] One of the most important issues of the entire run of the
periodical. It relates to Airplanes, Parachutes and Pilots. Rare. Avant
Garde Page Design 1900-1950, Andel p.274 |
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VANETSOV, Youri. Khvosty
[Tails], by V. Bianki. Moscow 1939. With color lithographs after
Lurii Vanetsov. Square 8vo, [15] pp; decorated color self-wrappers designed
by the artist. A lovely picture book illustrated by Vladimir Lebedev's prolific
protégé. |
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Ilia ZDANEVICH and
Kirill ZDANEVICH. 41 Degrees. Record of Tenderness, [Rekord
Niezhnosti]. 18 pp. text by Terentiev, linoleum cuts and letterpress
cover design in blue by Ilia Zdanevitch. Approximately 200 copies. Tiflis,
1919. 6 1/8 x 5 1/2." Stamp-numbered 85 on the inner side of the front
cover. In 1917, Ilia Zdanevich, together with Alexander Kruchenykhand Igor
Terentiev, founded the 'University of the 41 Degrees, dedicated to the advancement
of avant-garde poetry. Based in the town of Tiflis in the Caucasus, the
group published articles in the Degrees newspaper, and in 1919 began publishing
books under the 41 Degrees imprint, including Donkey for Rent and Yanko,
King of Albania. The Russian Avant Garde Book 1910-34, Museum
of Modern Art p. 124. |